Journal
Technical standards, session workflows and resources for the people we work with. Written in the language each piece was reported in.
Why a master that passes R128 can still fail in Italy
AGCOM misura il loudness con un gate più stretto del resto d'Europa. Ecco cosa cambia davvero fra la delibera 219/09/CSP e EBU R128 — e come consegniamo un master che regge entrambe le misure.
Zoom is built to suppress exactly the things a voice session needs. Here is how we configure it for direction, why the recording never comes from Zoom itself, and the checklist we send talent before a remote session.
How we pass an AAF through DaVinci Resolve so Logic Pro opens it cleanly: import it as a timeline, then deliver with the Final Cut Pro X preset (FCPXML) or the Pro Tools preset (AAF), with every setting shown.
How to get an ISRC code for your tracks
Se distribuisci con DistroKid, TuneCore o CD Baby l'ISRC te lo generano loro, gratis. Se vuoi il controllo completo del catalogo puoi diventare titolare tramite FIMI, a 90 € l'anno. Quando conviene l'una e quando l'altra.
Exporting and preparing tracks for music and sync libraries
Esporta la traccia full con la catena di mastering attiva, poi ogni stem in solo lasciando la stessa catena inserita. Nomenclatura, cartelle di consegna, formati e gli errori che fanno tornare indietro i file.
A list of music venues and event organisers in Florence
Abbiamo molt* che collaborano con Sound Niccolò e cercano locali in cui suonare dal vivo, fare DJ set o live acustici. Ecco una lista di alcune realtà fiorentine — a list of Florence venues and organisers we know of.
No forms, no booking calendars. Tell us what you need and we'll reply within 48 hours.
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